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Sony e 3.5 5.6 pz 16 50 oss camera

Coconut and strawberry shave ice, Halfway to Hana, Keanae, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 31mm at f/7.1 at 1/100 at Auto ISO 100, Perfectly Clear.) bigger or full size image to explore on your computer; mobile devices rarely are able to display the full resolution files properly.Storm blowing through Lahaina at night, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 16mm at f/3.5 at 1/15 at Auto ISO 1,000, Perfectly Clear.) bigger or much bigger.Good build quality Compact when collapsed Lightweight Effective optical stabilisation Well priced   Sony E PZ 16-50mm f/3.5-5.6 OSS Lens SELP1650 for Sony E-Mount Camera Shipping: Standard shipping: USPS First Class Package 2-5 days Free Expedited shipping: USPS Priority Mail 1-3 days $7.00 Will ship in the next day. Sorry, no local pickups. Payment: Pay via PayPal The price of around £310 seems quite reasonable for a newly developed lens. Although it may be £90 dearer than the 18-55mm standard kit lens, the compact dimensions and 24mm equivalent field of view at the wide end of the zoom range mean this lens represents decent value for money, if either of those features appeal to you.

E PZ 16-50mm F3.5-5.6 OSS ファストハイブリッドAFに対応. デジタル一眼カメラα[Eマウント]用レンズ E PZ 16-50 mm F3,5-5,6 OSS (SELP1650). Свързан с обектив с байонет А от Sony, APS-C обективът с байонет E имат характеристиките на големите фотоапарати It's as sharp as the Zeiss 24-70/4 in on full-frame, so I'm actually quite impressed with this little lens!The lens has a tendency to produce somewhat soft images, especially near the corners of the image throughout its zoom range. Through the in-lens corrective programming, chromatic aberration and vignetting are kept to a minimum. Lens distortion can be seen through at the 16mm end of its zoom range, but gradually fades away toward the 50mm end.[4][5] Three colored chairs, Luna Cafe, Lahaina, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 20mm at f/8 at 1/4 hand-held at Auto ISO 2,000, Perfectly Clear.) bigger.

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Charley's Restaurant and Saloon, Paia, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 19mm at f/5.6 at 1/80 at Auto ISO 100, Perfectly Clear.) bigger. Sony E PZ 16-50mm f/3.5-5.6 OSS Lens. Retractable lens with powered zoom. Great for travel, this lightweight, retractable mid-range zoom collapses down to just 1.18 in. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control. Shooting stills or video, a.. Once you zoom to 35mm, distortion is reduced greatly, and the corners look very similar to the average. At 50mm, the average distortion across the entire frame is very close to zero, while there is a bit of pincushion distortion (less than 0.5%) at the edges of the frame.Autofocus Operation The Sony 16-50mm f/3.5-5.6 PZ OSS lens can focus very quickly -- it only takes about a second to go through the full range from minimum focus distance to infinity. When shooting with this lens, autofocus felt very fast, quick and it locked onto targets easily.Macro This lens isn't specifically built for macro, with maximum magnification of 0.215x and a minimum close-focusing distance of around 9.8 inches.Build Quality and Handling The E 16-50mm f/3.5-5.6 PZ OSS lens is quite small and compact at just 117 grams (4.13 oz.) and measuring just a bit over 1-inch when retracted. When the camera is powered on, the lens automatically extends to nearly double its length. It fits nicely on a Sony NEX-6, feels nicely balanced, and is fairly compact, particularly when powered off. It's not heavy or bulky at all. When stored away, this lens and camera combo could easily be put in small bag, cargo pants pockets or a large coat pocket. (If you carried the two separately, though, they could easily fit in regular pants pockets.) The exterior of the lens is plastic with a smooth, glossy black finish. The lens mount is metal, as is the single dual-function zoom/focus ring. The only button or switch on the lens is the powerzoom slider switch on the left side (think 7 to 9 o'clock position). There are no focal lengths marked, nor is there a manual focusing/depth of field scale. Inside the barrel sit 9 lens elements in 8 groups, with one ED and four aspherical elements. The aperture mechanism has 7 blades for a fairly circular aperture. The zoom/focusing ring is about 3/8th inch wide and has an array of small ribs for texture. Very little force is necessary to turn the ring; it's easy to rotate with one finger. The zoom/focus action is very smooth, and rotates indefinitely, as zooming and focusing are electronically controlled. While focusing or zooming, the front element of the lens doesn't rotate, so filters such as circular polarizers work fine. The lens does extend during zooming, though, about 1/4th of an inch. The Sony 16-50mm is equipped with Sony's Optical SteadyShot image stabilization technology, which worked quite well. See our IS Test tab for more details on this.ALTERNATIVES There are very few other options for E-mount lenses, particularly those that feature similar specs to the Sony 16-50, such as autofocus and electronic controls. There is the Tamron 18-200mm f/3.5-6.3 Di III VC, which provides a similar wide-angle focal length, but offers a much higher telephoto range (as well as size, weight and price). It also features image stabilization technology. The other option would be to forgo the zoom lens, and buy a set of prime lenses. Sigma makes a set of E-mount prime lenses: 19mm f/2.8, 30mm f/2.8 and 60mm f/2.8, and there's also the recently announced (as of this writing) Carl Zeiss Touit series of primes: 12mm f/2.8, 32mm f/1.8 and 50mm f/2.8 (not yet released). These would allow you to have a similar range of focal lengths with much wider apertures, but at the expense of more lenses to carry and a much higher price. CONCLUSION The Sony E 16-50mm f/3.5-5.6 PZ OSS is a compact and inexpensive kit zoom lens that produces decent results, although it suffers from heavy barrel distortion at wide angles and produces images that are only super-sharp at the center. That said, it does better than most kit lenses, to the point that you may not feel the need to immediately rip it off and replace it with something better. It's a very serviceable shooter. The big selling points here are its compactness as well as the powerzoom and image stabilization features, both of which come in handy for video shooting. Product Photos

Tillsammans med α-kameror med E-fattning från Sony levererar APS-C-objektiv med E-fattning kraftfulla kameraprestanda. Mindre än 30 mm lång när den är indragen. Inbyggd bildstabilisering med optisk SteadyShot (OSS). Asfäriska linselement och ED-glas • This lens is compatible with Sony E mount cameras in crop sensor only. • Even when paired with crop sensor cameras or in crop mode, you may experience vignetting at 16mm. This lens exhibits a fair amount of barrel distortion at the wide end of the zoom range Designed for APS-C sensors, the lens features a field of view range equivalent to a 24-75mm lens on a 35mm camera, covering a healthy span of wide to short-telephoto focal lengths in a small, compact size. Sony E 16-50mm f/3.5-5.6. Announced. Certain fields may be left blank. They will be updated as soon as possible. Sony E PZ 18-105mm F4 G OSS

Sony E PZ 16-50mm F3

  1. This is super-sharp; what looks like grain is the actual finish of the watch, not noise in the camera.
  2. File:Sony E 16-50mm F3.5-5.6 OSS PZ.jpg. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it
  3. Dan's Green House, Lahaina, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 27mm at f/4.5 at 1/15 at Auto ISO 800, Perfectly Clear.) bigger.
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Sony E16-50mm f/3.5-5.6 OSS Pros

Sony 16-50mm F/3.5-5.6 PZ OSS E Mount Autofocus Lens, Silver {40.5}. Focal Length: 16-50mm. Packaging: White-box, does not include the rear lens cap Flowers at the Grand Wailea, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 18mm at f/4 at 1/60 at Auto ISO 100, Perfectly Clear.) bigger.

Full-frame Sonys automatically use only the APS-C section of their sensors, effectively making them APS-C cameras. Chromatic aberrations are well controlled, barely exceeding half a pixel width at most apertures and focal lengths. CAs just exceed three quarters of a pixel width towards the edges of the frame with the lens stopped to f/22 throughout the zoom range and at maximum aperture at 50mm. On the whole, fringing shouldn't pose too many issues, but care may need to be taken with high contrast subjects when using f/22 or shooting at 50mm and f/5.6.  The Shops at Wailea, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 19mm at f/8 at 1/125 at Auto ISO 100, Perfectly Clear.) bigger.The new collapsible design is certainly much more compact when not in use than previous E-mount lenses covering the same range, which will appeal to many. Build quality is very good with the lens barrel being constructed from high quality black plastics with a glossy finish and the lens mount is metal. Weighing only 116g, it makes a perfect companion for the Sony NEX-6 camera used for testing. As the lens collapses to save space when the camera is switched off, there is a delay of around three seconds as the lens extends before pictures can be taken. This may not be an issue for some, but those who are used to being able to take shots almost instantly may find this frustrating, as shots are missed waiting for the lens to extend. Once the lens is extended, auto focus is very fast and accurate and the power zoom control located on the left side of the lens is easy to operate. Manual focus adjustments are reasonably easy to apply, thanks to the smooth action of the focusing ring. Although the focusing ring is smooth, it isn't very well damped, which means fine adjustments can sometimes be tricky to apply. Minimum focus varies between 25cm and 30cm, depending on the zoom setting. As focusing is performed internally, the 40.5mm filter ring does not rotate, which makes the lens ideal for use with graduated and polarising filters. No hood is supplied as standard with the lens. Thanks to the optical stabilisation system, sharp hand-held images can be taken at shutter speeds as slow as 1/10sec with the zoom set to 50mm. This is roughly three stops slower than the usual rule of thumb for hand-held photography would allow. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance. Less than 1.18 in long when retracted. Built-in OSS (Optical SteadyShot) image stabilization. Aspherical lens elements and ED glass

Sony 16-50mm f/3.5-5.6 OSS PZ lens review with samples - YouTub

  1. This tiny little lens is the spirit of mirrorless; it's the reason you bought a mirrorless camera in the first place!
  2. Lahaina shoreline at night with wave, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 19mm at f/4 at 1/2 hand-held on railing at Auto ISO 1,600, Perfectly Clear.) bigger or much bigger.
  3. g. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance
  4. The biggest help is when you use any of these links to approved sources when you get anything, regardless of the country in which you live. It costs you nothing, and is this site's, and thus my family's, biggest source of support. These places have the best prices and service, which is why I've used them since before this website existed. I recommend them all personally.
  5. Camera lenses from ZEISS stand for maximum imaging quality. For photography - whether SLR or mirrorless system cameras - millions of photographers Compact and lightweight compared to classic SLR systems: The exceptional ZEISS lenses for mirrorless system cameras are used in conjunction..
  6. g fuzzy pictures on their lenses, while real shooters know that few photos ever use all the sharpness of which their lenses are capable due to subject motion and the fact that real subjects are rarely perfectly flat.
  7. The Sony 16-50 OSS PZ has no visible distortion as shot on the Sony A6000, which is probably correcting it.

Handling and features Performance Verdict Specification A common complaint with Sony's NEX camera system is the size lenses need to be due to the large APS-C sized imaging sensor. This new E16-50mm f/3.5-5.6 OSS lens may be the answer to that issue. It uses a collapsible design and a powered zoom mechanism and only protrudes from the body by 29.9mm when it is collapsed. On top of this, it also sports an optical stabilisation system and a field of view equivalent to a 24-75mm lens on a 35mm camera for quite a reasonable price of around £310. Does the compact size and low price mean Sony have compromised elsewhere? We'll investigate in this review. If you're considering a small form factor camera WITHOUT the miniature sensor found many cameras of its size this would be a great option to consider. This review is from Sony - Alpha a6300 Mirrorless Camera with E PZ 16-50 mm F3.5-5.6 OSS Lens - Black Lens Description: The Sony 16-50mm f/3.5-5.6 PZ OSS is a compact standard zoom lens for Sony NEX cameras and camcorders. It features an electronically-activated, retractable power zoom that's activated when the camera is powered on. This allows the lens to come in a a mere 1.18

Sony E 16-50mm F3.5-5.6 PZ OSS: Digital Photography Revie

Gary Wolstenholme review the compact Sony E 16-50mm f/3.5-5.6 OSS NEX power zoom lens. Handling and features Performance Verdict Specification. A common complaint with Sony's NEX camera system is the size lenses need to be due to the large APS-C sized imaging sensor Sunset over the Grand Wailea, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 20mm at f/4 at 1/3 hand-held (rested on railing) at ISO 100, Perfectly Clear.) bigger. If power supply setting is turned off in the Sony camera's internal settings but the gimbal still supplies power to the camera. E 3.5-5.6/pz 16-50 oss Mai Tai Bar at the Cheeseburger Restaurant, April 2016. (Sony A6300, Sony PZ 16-50mm OSS at 16mm at f/8 at 1/3 hand-held at Auto ISO 320, Perfectly Clear.) bigger or much bigger.

Sony E 16-50mm F3.5-5.6 PZ OSS Lens Review and Spec

Brand: Sony. Camera Type: Mirrorless. MPN: SO165035BLACKWB-SELP1650. Maximum Aperture: f/3.5 - 5.6. Focal Length Type: Zoom. Mount: Sony E-Mount. Focal Length: 16-50mm. Packaging: White-box, does not include the rear lens cap The Sony PZ 16-50mm OSS is a tiny little zoom more like something you'd find on a point-and-shoot camera. It erects and retracts with a motor, and even zooming is motorized. The Sony E 16-50mm f/3.5-5.6 PZ OSS is a compact standard zoom lens made for Sony E-mount cameras and camcorders. It features a retractable power zoom that's electronically activated when the camera is powered on. This allows the lens to come in at a mere 1.18 when not in use Measuring just 3/16" (29.9mm) when fully retracted, the Sony E 16-50mm F3.5-5.6 PZ retractable zoom lens is extremely compact, making it perfect for traveling and everyday use on Sony's NEX interchangeable lens cameras. Designed for the Sony E-mount, this lens covers a useful standard zoom range of 24-75mm equivalent, and its power zoom design is very useful for video shooting as well as stills. Optical construction includes one ED (extra-low dispersion) and four aspherical elements.

This lens isn't a ''constant'' lens, in that as you increase the focal length, both the maximum and minimum aperture sizes decrease. The following table reflects the aperture changes as you zoom:As this page is copyrighted and formally registered, it is unlawful to make copies, especially in the form of printouts for personal use. If you wish to make a printout for personal use, you are granted one-time permission only if you PayPal me $5.00 per printout or part thereof. Thank you!Although the optical performance of this lens isn't going to set the world on fire, for a reasonably priced kit lens, sharpness, control of CAs and distortion are adequate. The compact size alone may make this lens a compelling choice for NEX camera owners, but may also be a curse for some due to the delay the collapsible lens system causes when the camera is switched on. If portability is the main concern for a standard zoom, Sony NEX cameras owners can't really go wrong with this lens.  Ryan as we enter the Shops at Wailea through Longhi's, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 16mm at f/5 at 1/80 at Auto ISO 100, Perfectly Clear.) bigger.

Sony E 16-50mm f/3.5-5.6 OSS Lens Review ePHOTOzin

Sony PZ 16-50mm Revie

  1. imum aperture of f/3.5-5.6.[2][3]
  2. The Sony PZ 16-50mm OSS is a tiny little zoom more like something you'd find on a point-and-shoot camera. It erects and retracts with a motor, and If this is about 6 (15cm) on your screen, printing the complete image at this same high magnification would result in a 40 x 60 (3.5 x 5 feet or 1 x 1.5..
  3. An ideal companion for your compact, APS-C mirrorless camera, the E PZ 16-50mm f/3.5-5.6 OSS Lens from Sony offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use

If you find this page as helpful as a book you might have had to buy or a workshop you may have had to take, feel free to help me continue helping everyone. Descubra o produto Sony, E PZ 16-50 mm F3.5-5.6 OSS e confira todas as características da linha de Lentes α. Zoom motorizado excecionalmente suave. Menos de 30 mm de comprimento quando retraída. Estabilização de imagem OSS (Optical SteadyShot) incorporada

Crazy VW van, Ho'okipa Beach Park, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 19mm at f/8 at 1/320 at Auto ISO 100, Perfectly Clear.) bigger or Full size image to explore on your computer; mobile devices rarely are able to display the full resolution properly. Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount Retractable Zoom Lens (Bulk Packaging). Camera used A6300. For Photography- It is as soft as they say around the edges, but center is very sharp. Not great for landscapes, no edge to edge sharpness even at f5.6 or f8 The Banyan Tree at night, Lahaina, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 16mm at f/3.5 at 1/15 at Auto ISO 2,000, Perfectly Clear.) bigger.This works on all crop-sensor (APS-C) Sony E-mount cameras, which are the NEX and A7 series, among others as of 2015. A 24-megapixel camera from Sony with an APS-C sensor, a 2.9-inch LCD, and an image stabilizer. The camera's shutter speed range is 30 seconds to 1/4000 of a second. The Alpha A6300 w/ E PZ 16-50mm F3.5-5.6 OSS stores photos and video on SD/SDHC/SDXC/MemoryStick Duo memory..

To my surprise, this tiny little lens on an inexpensive Sony A6000 is just as sharp as the exotic Zeiss FE 24-70mm f/4 on the expensive A7R II. Focal Length: 16-50mm. Compatible Brand: For Sony. Camera Type: Mirrorless. Maximum Aperture: f/3.5 - 5.6. Sony 16-50mm SELP1650 F/3.5-5.6 PZ OSS Lens OEM SONY E-Mount Camera Lens Silver Sony A6400 kit 16-50mm Silver новый в упаковке рст. Sony E35mm F1.8 (чек, гарантия) Ростест Новый

Sony Global - Photo Gallery E PZ 16-50 mm F3

This ad-free website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. Sony doesn't seal its boxes in any way, so never buy at retail or any source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, store demo, damaged, returned or used product. My approved sources ship from remote automated warehouses where no salespeople or lookie-loos can ever get their greasy fingers on your new lens before you do. Buy only from the approved sources I use myself for the best prices, service, return policies and selection. Thanks for helping me help you! Ken. Equipment \ Sony \ Sony E PZ 16-50 мм F3.5-5.6 OSS (SELP1650) \. Lens Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance. Built-in OSS (Optical SteadyShot™) image stabilisation. Aspherical lens elements and ED glass

E PZ 16-50mm F3.5-5.6 OSS SELP1650 Sony Asia Pacifi

Zusammen mit einer α E-Mount-Kamera von Sony bieten APS-C E-Mount-Objektive eine hervorragende Leistung. Integrierte OSS (Optische SteadyShot) Bildstabilisierung. Asphärische Objektivelemente und ED-Glas. Äquivalente 35mm-Brennweite: 24-75 mm 50 Silver Lens Tissue. 3pc Cleaning Kit. An ideal companion for your compact, APS-C mirrorless camera, the E PZ 16-50mm f/3.5-5.6 OSS Lens from Sony offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not.. Sony E PZ 16-50mm F3.5-5.6 OSS SEL-P1650 reviews verified by reevoo. Questions people have asked owners of the Sony E PZ 16-50mm F3.5-5.6 OSS SEL-P1650. Sorry, it looks like we're not accepting questions about this product right now Compatible Camera Style: mirrorless cameras. Compatible Brand: For Sony. Model Number: 16-50 f/3.5-5.6 OSS(SELP1650). Package: Yes. View all specs At 16mm, sharpness is already excellent in the centre of the frame at maximum aperture. Unfortunately the same cannot be said about the clarity delivered towards the edges of the frame at maximum aperture for this focal length, which can only be considered fairly good. Stopping down the aperture improves sharpness across the frame, with peak clarity being achieved between f/5.6 and f/8, where sharpness in the centre remains excellent, and good to very good towards the edges of the frame. Zooming to 28mm results in a slight drop in sharpness in the centre of the frame, but improvements are made towards the edges at maximum aperture, where clarity reaches good levels. Just the same as at 16mm peak sharpness is achieved between f/5.6 and f/8 for this focal length. Finally, at 50mm overall sharpness is reduced further, as is common with many zoom lenses. Even so, sharpness is still very good in the centre of the frame at maximum aperture, and very good across the frame at f/8.  

Sony E 16-50mm f/3.5-5.6 PZ OSS SELP1650 Revie

Collapsible design adds a delay between switching on the camera and being able to taken an image Loss of contrast when shooting into the lightSunset over the Grand Wailea, Maui, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 50mm at f/7.1 at 1/125 at Auto ISO 100, Perfectly Clear.) bigger. The Sony A6500 + 16-50mm f3.5-5.6 OSS Lens has a 24.2 megapixel sensor to deliver a plethora of features suited to both stills and video shooters. Includes Sony A6500 Body + PZ 16-50mm lens. 64GB or Larger Class10/UHS-I SD Card Required for XAVCS Recording. No longer available March 2016    Sony   Zeiss   Minolta   Nikon   Canon   Fuji   LEICA   All Reviews

Sony E PZ 16-50mm f/3

  1. This ad-free website's biggest source of support is when you get yours via these links to it at Adorama, at Amazon or at B&H. When you use those or any of these links to approved sources when you get anything, regardless of the country in which you live, it helps me keep adding to this free website — but I receive nothing for my efforts if you take the chance of buying elsewhere. Unlike a bottle of milk or a CD, Sony doesn't seal its boxes at all, so you have no idea if you're getting a used, returned, incomplete or damaged product if you risk buying at retail. Never buy at retail. I use the sources I do because they have the best prices, service, return policies and selection— and they ship from secure remote warehouses where no customers or salesmen can get their sticky hands on your new camera before you do.
  2. The Sony E 16-50mm PZ OSS is not a macro lens. Sony quotes a maximum reproduction ratio of 1:4.7, which means you can fill the frame with a subject that measures 110.5x73.3mm. In our experience, the actual magnification of the lens is considerably higher at about 1:3.8, allowing you to..
  3. The Sony 16-50mm f/3.5-5.6 PZ OSS (part# SELP1650) is an ultra compact zoom lens for Sony E Mount mirrorless cameras. Thanks to its clever retracting mechanism, this zoom lens collapses to just 1-3/16 making it the perfect choice for travel and
  4. Wysuwany obiektyw z mocnym zoomemE PZ 16 - 50 mm F3,5-5,6 OSS (SELP1650). Ten lekki, wysuwany, średniozakresowy obiektyw zoom po Obiektyw do aparatów Sony α z mocowaniem typu E i matrycą APS-C gwarantuje uzyskanie efektów jak przy fotografowaniu większym aparatem
  5. This tiny Sony 16-50mm is perfect for use with Sony's tiny mirrorless cameras. It's sharp and handles well.
  6. Sony 16-50mm Retractable Zoom Lens Measuring just 1.17 (29.9mm) when fully retracted, this SEL-P1650 retractable zoom lens is super compact and easy to carry Excellent Image Quality. I am using the Sony 16-50mm f/3.5 on a Sony a7 iii. I came across this lens used for $ and took a chance on it

This is the popular, and impressively small and feature-packed, kit lens for Sony mirrorless APS-C cameras. Its optics have a difficult reputation - let's.. The lens features built-in electronic optical image stabilization, as well as a new electronic zooming mechanism controlled using a "wide-to-tele" toggle switch reminiscent of a camcorder's zoom button. The Sony lens also features a single rotating ring that functions either as a traditional zoom ring or as a focusing ring depending on the shooting mode of the camera. Both focusing and zooming on this lens are electronically controlled. Image stabilization is controlled via the camera as well. The lens is not compatible with a lens hood, but does accept 40.5mm lens filters, and ships with front and rear caps.Sharpness At 16mm and f/3.5, the Sony E 16-50mm f/3.5-5.6 PZ OSS is fairly soft in the corners and across much of the frame, but the very center of the frame remains fairly sharp. As you stop down, f/5.6 and f/8 appear to be the sweet spot with the largest center area of sharpness; however, the far corners still remain relatively soft. Zoomed in to 35mm, overall sharpness improves, and at f/8, the corners start to look pretty good, although still not tack sharp. At 50mm, you'll see the best results at f/8. Based on the numbers, the best results overall are at 35mm at f/8. Strangely, at 16mm at f/8, we saw the largest difference between sharpness at the center vs. the corners. The center of the frame was quite sharp, but the corners, conversely, were very soft. This is unusual in our experience; normally sharpness becomes more uniform across the frame as you stop down. At all focal lengths, once you stop down to f/16 and beyond, diffraction limiting sets in, and you'll begin to see significant loss in image sharpness. Chromatic Aberration Chromatic Aberration appears very well-controlled on the Sony 16-50mm. At both 35mm and 50mm, there is very little difference between CA in the extreme corners of frame vs. the overall average. We do see more CA in the corners at the 16mm focal length, with a slight increase at f/8, but the CA is still quite low for a wide-angle zoom lens. CA is however suppressed by the camera body by default in JPEGs, and during RAW conversion via an embedded lens profile which cannot be disabled in Adobe Camera Raw.Shading (''Vignetting'') Wide open at 16mm, the Sony lens suffers from pretty severe vignetting, with the corners being more than 1-stop darker than the center of the frame. At f/16-22, we still saw light loss in the corners, at just shy of 0.75-stops. At 35mm and 50mm, vignetting levels are almost identical, with less than a half-stop of light loss in the corners at f/5.6. At all focal lengths, as the aperture is stopped down, vignetting decreases.Distortion Lens design is a juggling act, and optical engineers have to decide how to trade off between sharpness, CA, shading (“vignetting”) and distortion. The ability to correct for some of these shortcomings in the camera, post-capture means that lens designers can allow some parameters to drift, and in the process achieve better results in the other areas. This is common practice for Micro Four Thirds lenses, but the Sony 16-50mm is the first example of this at work we've seen in an E-mount lens, however it probably won't be the last. The uncorrected RAW files show really dramatic amounts of geometric distortion, that's corrected-out by the NEX cameras in their in-camera JPEGs. At the wide end, we see truly dramatic distortion, with no less than 3.3% barrel distortion in the corners at 16mm. It's literally off our charts. The average amount of distortion over the entire frame is just over 1.5%. As noted, the in-camera JPEG processing does a significant amount of distortion correction, producing almost perfectly-corrected images. If you shoot RAW photos, though, you'll see a big difference between those compared to straight-from-the-camera JPEGs, unless your RAW converter applies a lens profile to correct it automatically. There is not an option to turn off this in-camera correction for JPEGs, at least on any current Sony NEX bodies. Cheeseburger Restaurant, Shops at Wailea, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 16mm at f/3.5 at 1/15 at Auto ISO 500, Perfectly Clear.) bigger.

Learn and be inspired while exploring the Sony's Photo Gallery. We have collected amazing photos from all over the world that showcase captures on Sony cameras and lenses. E PZ 16-50mm F3.5-5.6 OSS Measuring just 3/16 (29.9mm) when fully retracted, the Sony E 16-50mm F3.5-5.6 PZ retractable zoom lens is extremely compact, making it perfect for traveling and everyday use on Sony's NEX interchangeable lens Focal length. 16-50 mm. Image stab. Yes (OSS). Lens mount. Sony E Full test of Sony E PZ 16-50mm F3.5-5.6 OSS with images samples you can download. I only put a selection of the focal length and aperture, to get the full set please consult the Flickr album : Sony E PZ 16-50mm. Globally the lens is quite good for a kit lens , with very good to excellent results in the.. Crop from above at 100%. If this is about 6" (15cm) on your screen, printing the complete image at this same high magnification would result in a 40 x 60" (3.5 x 5 feet or 1 x 1.5 meter) print!

E PZ 16-50mm F3.5-5.6 OSS SELP1650 Sony S

It's a much better idea than adapting other lenses; this lens is smaller and lighter and adds image stabilization and autofocus and many other things to what an adapted lens would do.Lifeguard Station 6B, Ho'okipa Beach Park, Maui, April 2016. (Sony A6300, Flash ON to light up the retroreflective 6B, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 16mm at f/11 at 1/160 at Auto ISO 100, Perfectly Clear.) bigger or full size image to explore on your computer; mobile devices rarely are able to display the full resolution files properly.

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The Banyan Tree at night, Lahaina, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 16mm at f/3.5 at 1/15 at Auto ISO 3,200, Perfectly Clear.) bigger or much bigger.It also works great on the full-frame A7R II. While it uses only the central APS-C sensor area, it does so seamlessly. It makes the A7R II into the tiny camera that that you wanted in the first place when you bought your A7.If you've gotten your gear through one of my links or helped otherwise, you're family. It's great people like you who allow me to keep adding to this site full-time. Thanks!

I can hand-hold this stabilized lens on an unstabilized A6300 body down to about 1/3 of a second. This is excellent: Sony E 50mm F1.8 OSS. Sony FE 28mm F2. Добавить объектив ..for Sony E PZ 16-50mm F3.5-5.6 OSS E-mount Power Zoom Lens with Tulip Flower Lens Hood with Inner Pinch Lens Lens Cap for Sony A5000, A5100 Sent from and sold by Amazon US. RAVPower NP-FW50 Camera Battery Charger Set for Sony Alpha a6500, a6300, a7, a6000, a7 ii and More £..

Bokeh, the quality of out-of-focus areas as opposed to the degree of defocus, is swell — but this lens is so slow that nothing ever gets much out of focus.The Sony E PZ 16-50mm F3.5-5.6 OSS is a variable maximum aperture standard zoom lens for the Sony E-mount, announced by Sony on September 12, 2012 and released January 2013. The lens is often bundled with various Sony Alpha mirrorless cameras as a "kit lens". Sony 16-50mm f/3.5-5.6 OSS tích hợp hệ thống ổn định hình ảnh quang học SteadyShot giúp giảm thiểu khi máy ảnh bị rung và mang lại hình ảnh Tính năng nổi bật. Thiết kế Retractable. Mặc dù là một ống kính zoom với tiêu cự 16-50mm tương đương với tiêu cự 24-75mm theo định dạng 35mm Impressive is how zooming is controlled by an electronic ring around the lens, and how the whole system zooms both faster and more precisely than any conventional system. If Sony can get power zooming to work so well, how come no one had gotten electronic manual focus to work as well?It gives angles of view similar to what an 24~70mm lens would give on a 35mm or full-frame camera. See also Crop Factor.

E PZ 16-50 mm F3,5-5,6 OSS SELP1650 Sony I

Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount Retractable Zoom Lens (Bulk Packaging). Camera used A6300. For Photography- It is as soft as they say around the edges, but center is very sharp. Not great for landscapes, no edge to edge sharpness even at f5.6 or f8 • Почти распродан. Sony SELP1650 16-50mm F/3.5-5.6 OSS Lens Black. Autofocus : Yes. Measuring just 3/16 when fully retracted, this SELP-1650 retractable zoom lens is super compact and easy to carry so you can quickly whip out your camera and spontaneously grab shots as they occur 與 Sony E 接環 α 相機搭配,APS-C E 接環鏡頭的性能不輸大型相機。 電動變焦,輕鬆操控. 利用電動變焦拍攝靜態影像或影片,您可以輕鬆操控並揮灑 格外平順的電動變焦. 縮回鏡頭時長度少於 30 mm. 內建 OSS (Optical SteadyShot™ 光學防手震) 影像穩定. 非球面鏡片和 ED 鏡片 Note: To control camera shooting via the Gimbal, connect a camera and the Gimbal with camera cables then power up the Gimbal before turning on the Electronic Zoom is unavailable for some models of Sony cameras. The form will be updated without prior notice when the firmware releases Vivid rainbow and cross, scenic overlook on Maui's west coast looking northeast, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 23mm at f/8 at 1/400 at Auto ISO 100, Perfectly Clear.) bigger or full size image to explore on your computer; mobile devices rarely are able to display the full resolution images properly.

Buy Sony Alpha a6500 Mirrorless Digital Camera with 16Sony E 16-50mm f/3

Sony E 16-50mm F3.5-5.6 PZ OSS is an Auto Focus (AF) Standard Zoom lens with When mounted on a APS-C / DX sensor camera, it will give you an FF equivalent focal range of 24 - 75mm. Sony E 16-50mm F3.5-5.6 PZ OSS is not a weather sealed lens, so you have to be extra careful against rain.. It also works on the full-frame A7 series, which automatically crop the sensor so you'll never even know that anything funny is going on until you wonder why this 16-50mm is giving you the same fields-of-view as a 24-70mm full frame lens.Support this site by making a Donation, purchasing Plus Membership, or shopping with one of our affiliates: Amazon UK, Amazon US, Amazon CA, ebay UK, WEX, Park CamerasThe Shops at Wailea, April 2016. (Sony A6300, Vivid Creative Style with +3 Saturation, Sony PZ 16-50mm OSS at 16mm at f/8 at 1/160 at Auto ISO 100, Perfectly Clear.) bigger or full-size image to explore on your computer (portable devices rarely display the full resolution versions correctly).

   OSS: Sony's trademark for its Image Stabilization: "Optical Steady Shot." Sony E 16-55mm f/2.8 G Lens. Sony FE 200-600mm f/5.6-6.3 G OSS Lens. According to SonyRumors, Sony has just registered a new camera code WW271448 in China. Voigtlander NOKTON 35mm, 40mm, 50mm f/1.2 Aspherical SE Lenses Announced It's the tiniest and lightest interchangeable zoom I've seen. It's marvelous for use on Sony's APS-C E-mount NEX cameras. Samen met α-camera's met E-bevestiging van Sony zorgen APS-C-lenzen met E-bevestiging voor grootse cameraprestaties. Minder dan 30 mm lang wanneer ingetrokken. Ingebouwde OSS (Optical SteadyShot)-beeldstabilisatie. Asferische lenselementen en ED-glas

Explora el producto E PZ 16-50 mm F3,5-5,6 OSS de Sony y averigua todas las características de su colección de Objetivos fotográficos. Menos de 30 mm de largo cuando está retraído. Estabilización de imagen OSS (SteadyShot óptico) incorporada. Elementos de lente asférica y cristal ED (dispersión.. The Sony NEX 16-50mm PZ OSS lens controls ghosting well, although there is a small green arrow or blob to be seen when super bright lights are in the scene. At 16mm, the entire image is soft at F/3.5, but sharpens up dramatically at F/5.6. Stopping down more does not help the sides or extreme corners The Sony E 16-50mm f/3.5-5.6 PZ OSS is an E-mount zoom lens that's frequently bundled as a kit lens with several Sony NEX-series compact system cameras such as the NEX-6. Scopri il prodotto E PZ 16-50 mm F3,5-5,6 OSS di Sony & esplora tutte le caratteristiche della gamma Obiettivi per fotocamera α Sony 16-50mm f/3.5-5.6 PZ OSS Specifications ManufacturerSony General Lens MountsSony E Mount Lens Focal Length16mm - 50mmAngle of View32 - 83Max Aperturef/3.5 - f/5.6Min Aperturef/22 - f/36Filter Size40.5mmStabilisedYes35mm equivalent24mm - 75mmInternal focusingYesMaximum magnificationNo Data Focusing Min Focus25cm Construction Blades7Elements9Groups8 Box Contents Box ContentsLens cap, lens rear cap. Dimensions Weight116gHeight64.7mm View Full Product Details

E PZ 16-50mm F3.5-5.6 OSS Hvis du ønsker yderligere oplysninger om kompatibilitet, kan du besøge Sonys websted i dit område eller kontakte din E-mount ©2013 Sony Corporation Bemærkninger om brug  Når du transporterer kameraet med objektivet monteret, skal du altid sørge for at støtte både.. Pakketpost Nederland (vanaf € 50 Prijsontwikkeling. Anderen bekeken ook. Sony 35mm f/1.8 OSS. vanaf € 374,- Vergelijk prijzen. Canon EF-S 55-250mm f/4-5.6 IS STM Falloff of illumination towards the corners of the frame is reasonable for a lens with a slow maximum aperture. At 16mm the corners of the frame are 1.6 stops darker than the image cetre and visually uniform illumination is achieved with the aperture stopped down to f/5.6. At 50mm the corners are only 1.1 stops darker than the image centre and visually uniform illumination is achieved with the aperture closed down to f/8. Distortion is well controlled for a lens of this type. Peculiarly, stronger barrel distortion is present at 50mm than could be detected at 16mm. Imatest detected 0.875% barrel distortion at 16mm and 1.86% at 50mm. If absolutely straight lines are required, you'll be glad to know that the distortion pattern is uniform across the frame, which should make applying corrections in image editing software afterwards relatively straightforward. Although this lens is reasonably resistant to flare, shooting into the light can result in contrast being visibly reduced. Due to the compact design of the lens, no lens hood is supplied, as this would make the lens more bulky. Sony 16-50mm f/3.5-5.6 PZ OSS Sample Photos Previous Next Ve spojení s fotoaparáty α od společnosti Sony s bajonetem E nabízejí objektivy APS-C s bajonetem E skvělý výkon. Zoom s pohonem a snadným ovládáním

100% Original Front lens cartridge barrel ring Repair PartSony Alpha a6000 24Sony 16-50mm F/3
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